Quantizing in Motion
This week on MacBreak Studio, I show Steve Martin from Ripple Training a few ways you can use the...
What Do I Need Compressor For?
This week on MacBreak Studio, Steve Martin from Ripple Training gives us some good reasons for using Compressor for...
DCP (Digital Cinema Package) workflows for After Effects and Premiere
Fandev has released CuteDCP for Premiere (Mac / Windows), a DCP (Digital Cinema Package; explained) render tool for Premiere...
Split, cut, join without recompression
Sometimes even crude jumpcuts are preferable than trying to gather nearly forgotten source files, or recompressing an old madly-compressed...
Working with Avid Artist Series (Control, Mix, Transport or Color?) New Eucon 3.01
Avid Artist Series take deep hands-on control of your favorite EUCON-enabled audio and video software (like Avid Media Composer...
Rampant Design Tools: Drag, Drop & Go Effects
Plug-in free and platform/software agnostic, these drag & drop effects, lights, backgrounds, mattes and styles will give your video...
Keying a Shot in Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training shows us how to key a shot in Final...
Smarter Smart Collections
This week on MacBreak Studio, Steve Martin from Ripple Training shows us a great tip regarding Smart Collections in...
Audio standards and Adobe Loudness Radar
Recently here on PVC, Woody Woodhall discussed The CALM ACT (Commercial Advertisement Loudness Mitigation), asking “Why Is The US...
The Clamper
This week on MacBreak Studio, Steve Martin from Ripple Training and I go a little “behavior crazy” as we...
