Why does FCP X still deal with pro i/o interfaces haphazardly?
Since Apple released Final Cut Pro X in June 2011, there have been seven updates and many valuable features...
Exporting Still Images from Final Cut Pro X
Every editor at some point needs to get a still image out of their editing application: to email a...
Hands-on with the new TouchEdit NLE for iPad
There’s a brand new iPad app that we’ve been following for some time that has finally made its way...
Hands-on with the UltraStudio Mini Monitor
Although I have covered Blackmagic’s new US$145 UltraStudio Mini Monitor interface in prior articles (links ahead), I have now...
The Masters of Compositing Series – Part 1: Petro Vlahos (1917-2013)
*REPOSTED: This is the first in a series of interviews with the pioneers and masters in the compositing/VFX film...
Saving Favorite Effects in Final Cut Pro X
On this week's MacBreak Studio, I show Steve Martin from Ripple Training how you can modify effects in Final...
Avid Whitepaper: Digital Cinema Camera Workflows
With the ability to track multiple sources and timecodes, combined with AMA and open standards such as MXF, AAF,...
How Sony should hack a Bravia to create an awesome prosumer editing/grading monitor
Recently, I published an article which described why Miami-based PRODU.com chose to purchase a “foreign” Sony consumer Bravia HDTV...
Hands on with the PROCUTX app for Final Cut Pro X
If you’ve been around the internet (or social media) in the last few days then you’ve probably heard of...
Exporting Audio Components and Roles in Final Cut Pro X
On this week's MacBreak Studio, Steve Martin from Ripple Training talks about exporting roles and individual audio components from...
