Visual Effects Workflow with Final Cut Pro X
How does Final Cut Pro X fit into the visual effects workflow of a feature film? Quite comfortably, as...
‘Gone Girl’ workflows with Premiere & After Effects
You can view Adobe’s panel discussion with the editorial and post-production team behind the movie Gone Girl from director David...
Let’s Edit with Media Composer – What’s New in Version 8.2
Media Composer 101 has been rebranded to Let’s Edit with Media Composer! Enjoy all the new tutorials at the...
Interactive Title Design in Final Cut Pro X
Did you know you can do interactive, realtime title design directly inside Final Cut Pro X? This is the...
Why We Need Color Correction
The tools of our trade have been commoditized. Everyone can perform the job of seasoned video and film professionals,...
Tools and free models for Element 3D
Topher Welsh is back with his takes on After Effects, VFX, and motion graphics at VisualFXtuts. It's also a...
Sneak peeks at Adobe Max 2014: Editing, animation, audio, and design
In addition to a new family of iOS mobile apps and enhanced Creative Cloud 2014.1 desktop tools, Adobe previewed...
Know the Pro: Stu Maschwitz
This article series, to be posted once a month, will focus on one person in the Film or Television...
Locking Fonts in Final Cut Pro X
Why would you want to “lock” a font? That's a question we tackle in this week's MacBreak Studio, where...
Video Copilot Element 3D v2 unveiled
Andrew Kramer unveiled new features coming in the long-awaited Video Copilot Element 3D V2, which is compatible with AE...
