Tracking in Final Cut Pro X with SliceX
How can you track an object in Final Cut Pro X – and why would you want to? In...
Fixing Titles in Final Cut Pro X
How good is your spelling? Even if it's great, and even with Final Cut Pro's built-in spellchecker, it's still...
PVC at NAB 2014 – iOgrapher
Smack in the middle of the plug-in pavilion was what looked like a retail store. That was for iOgrapher...
NAB 2014 Aerial Videography & “Drone” Overview
Above all the buzz about 4K cameras and monitors at NAB this year, were flying cameras that sounded like...
The Power of the Timeline Index in Final Cut Pro X
The Timeline Index is one of the hidden jewels of Final Cut Pro X. Have you been using it...
Keyframe Improvements in Final Cut Pro X
The 10.1 update to Final Cut Pro X included several improvements for manipulating keyframes. For example, it's now possible...
Sony’s F5 and F55 Add Unprecedented Flexibility with the Addition of ProRes Recording
Sony is announcing the addition of Apple ProRes on-board recording as a future hardware upgrade option for its F5...
The Making of ‘Adobe and the Frog’
Film Riot and Adobe have a slick little web ad for the new Creative Cloud NAB 2014 reveal. It...
Multicam Audio Editing in Final Cut Pro X
Multicam in Final Cut Pro X has gotten even better. The multicam implementation in Final Cut Pro X was...
Media Composer – You Ask, I Answer! – Lesson 3
In this tutorial, exclusive to PVC, I'm going to answer a question about creating simple split screens inside of...
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Post Production
Testing different Apple silicon Macs with Avid Media Composer
Post Production
Q&A — More than you care to know about modern video codecs
Production
