CMG Hidden Gems: Chapter 13 – 3D Space
As you are aware by now, we’re going through our book Creating Motion Graphics with After Effects 5th Edition...
Quicktips 2011 Day 26: Use a zero in front of a number for better sorting
Today’s Quicktip almost seems like a no-brainer but I’m surprised that I still see projects come in the door...
Quicktips 2011 Day 25: Two Avid tips for Friday
Today we have two Avid Media Composer Quicktips that come to us from Ra-ey Saleh, a Symphony Online Editor...
Quicktips 2011 Day 24: Access FCP’s timeline keyframe editor
Everyone who edits with Final Cut Pro knows that you have full access to animating and keyframing parameters via...
Is “Good Enough” Killing Our Industry?
I contend that the “it’s good enough” mentality is killing quality, and especially in our industry. Philip sees it...
After Effects Apprentice: Layer Control
As we mentioned earlier, we're creating a video training series from our book After Effects Apprentice and distributing it...
Quicktips 2011 Day 23: moving all keyframes on a shot in FCP
This reader Quicktip comes over from Steve Sabban and it’s a follow-up to Quicktip number 7: changing FCP filters...
Quicktips 2011 Day22: Add Virtual Cuts to Avid Clip Based on Tracks Beneath
Here’s a really cool Avid Media Composer Reader Quicktip that comes from Evan Schiff. It’s quite clever and I...
After Effects Apprentice Free Video: Arranging Layers
As we mentioned earlier, we're creating a video training series based on our popular beginner's book After Effects Apprentice,...
Which ProRes quality level is Good Enough when editing DSLR footage?
So I wanted to share some personal findings after working heavily with DSLRs for about a year and a...
