Working With Clients – 28 Weeks of Post Audio
Editor’s Note: “28 Weeks of Post Audio” originally ran over the course of 28 weeks starting in November of...
Manfrotto Pro Light Cinematic Camera Bags Review: Balance and Expand
Do you ever feel like you spend more time carrying your gear from point A to point B, or...
Sony FS5 Mark 2 Camera Review: Looking At The New Color
Yes, the Sony FS5 Mark 2 looks exactly like the original with one exception, the filter wheel on the...
NAB 2018: Panasonic Shows Off Cine Live For VariCam LT
Netflix, Amazon, and everyone else who wants to record a 4K live multi-camera event or show while retaining Panasonic’s Super35mm...
NAB 2018: ARRI Shows Off Largest and Brightest SkyPanel with the S360
This is one big light source was my first thought. At NAB 2018 the ARRI SkyPanel quite literally lite...
NAB 2018: ARRI Signature Prime Lenses for ARRI ALEXA LF
ARRI Signature Primes were designed in conjunction with the ARRI ALEXA LF large format digital cinema camera and are meant...
Filmtools Filmmaker Friday featuring Filmmaker Marco Gutierrez
With hundreds of careers and opportunities, the filmmaking industry can be a unique experience for a Filmmaker. Filmtools decided...
NAB 2018: Panasonic Shows off AU-EVA1 Firmware 2.0
Since the mysterious shroud of NAB convention 2017, the Panasonic AU-EVA1 has made quite a splash with its high-resolution 5.7K...
NAB 2018: KINEFINITY MAVO AND MAVO LF 6K CAMERAS
At NAB 2018: Kinefinity, the Chinese camera maker, showed off their entire camera line-up with a special emphasis on...
NAB 2018: MEVO 4K Camera – Livestream Like A Pro
At NAB 2018: Vimeo came to the convention to show off a new little camera called the MEVO which is...
