Broadcast Quality HD Production for Beginners: Part 3
Part 3: Recording the Audio and Video (Part 3 of 5)We’ve gotten past the hard part of connecting the...
Gifts For the HDSLR Shooter in Your Life
For those of us in the industry who spend most of our life engaged in activities that many of...
QuickTip: The clip custom color picker is there in Media Composer 5
Avid released Media Composer 5 to some big changes and one of those changes that wasn’t so big (but...
Avid and RED team up for a RED workflow webinar
It looks like Avid and RED are teaming up for a webinar. The date is Thursday, December 2, 2010...
Hands-on with the Panasonic AG-3DA1 S3D Camcorder
Last weekend I attended the two-day Createasphere 3D Production Workshop Utilizing Panasonic AG-3DA1 Cameras in Burbank, and got a...
Adobe Delivers Salvation for HDSLR Shooters
Without a doubt, the greatest challenge for HDSLR shooters has been editorial. I recently read of another new software...
Adobe Premiere Pro CS5 Helps Keep the Peace at Home
This probably isn’t the usual article on a piece of non-linear editing software. There will be no discussion of...
TiVo Premiere for professional use
For a long time, I have had my eye on TiVo to use instead of the Comcast-provided Motorola DVR....
Quicktip: Easy access to the Mac OS System Preferences
Every now and then you might come across a little tip, trick or shortcut that when you see it...
You can reframe your R3Ds in Redcine-X
When you’re working with high resolution RED media in a high-definition world then one of the advantages of the...
