Final Cut Pro’s achilles heel or how I hate the reconnection dance
When you talk about media management in Final Cut Pro it’s often not a big issue to many as...
HPA Tech Retreat 2010 – Day 3
The Tech Retreat’s third day covered regulatory issues, HDR imaging, using a plasma for reference monitoring, SOA, networking, file-based...
Avid to Apple Color – The Video
Late last year I posted a link and a step by step workflow to moving your RED edit from...
HPA Tech Retreat 2010 – Day 2
The 16th Annual Tech Retreat was officially opened by HPS President Leon Silverman today. (As with yesterday’s coverage, this’ll...
Highlander: Uncut – Getting footage to edit before the Internet
I posted this piece back in June 2008 after I had cleaned out a closet and found my old...
The Making of an Epic Media Project
Rambus is a company of big ideas, and they wanted their 20th anniversary celebration to include a theatrical production...
Quicktip: Identify FCP filter in the timeline
One question I hear often is asking if there is a way to tell what filters are applied to...
On lynda.com & Cineversity: CINEMA 4D + After Effects
Maxon’s CINEMA 4D is our 3D application of choice because it integrates so well with our main tool, Adobe...
Avid Media Composer 101 courseware translated/localized for Latin America/Spain
After many months of teamwork, the Avid Media Composer 101 courseware is now available in a translated and localized...
Masters of Visual Effects – Online
Matt Silverman, Creative Director of Bonfire Labs, is a certifiable After Effects old-timer (although he also has experience in...
