Sony NAB 2017 Press Event Announcements
Sony announced their new products and software the day before the National Association of broadcasters 2017 opened up the...
Sony Professional Launches Tech Tip Video Series
For five consecutive weeks, Sony Professional will roll out new tech videos offering quick tech tips related to Sony’s...
28 Days of Cinematography Insights Redux – Day 4 – What makes the Sony F55 so versatile?
In what was essentially a combination of Scott Simmons’ #28daysofquicktips and my own AMA, I answered questions throughout the...
Gamma vs. Log: tonal-scale rendering
In my V-Log L Revisited article, I went on at some length about neutral rendering across the tonal scale...
Sony Teases 120fps for F55
Sony’s marketing manager for Super 35mm acquisition teases new feature for the F55.
Talking 4K, the FS7 development process, future camera features and more with Sony Professional
With articles like The Best Sony for Video and LUT Tricks for the Sony FS7/F5/F55, it’s no secret that...
LUTCalc: Trials, errors, and a full-range LC709A LUT
After much experimentation, and a bit of failed hacking, I’ve come up with a good full-range Cine-EI LUT for...
Sony F55 and F5 bundles at special prices
For a limited time, Sony is offering new F55 production bundles with the CBK-55PD codec board pre-installed, which adds...
Hacking Alexa’s Rec 709 LUT into a Sony FS7/F5/F55
A new, free app gives us the power to mix and match LUTs—even between cameras! This is what happened...
The Sensation of White: Why I Set Zebras for 90% White Instead of White Clip
The days of setting exposure with zebras set at white clip are most likely over. Here’s a new technique...
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