Combining Video & Generative AI in Photoshop
Now that Generative AI in Photoshop has moved out of beta and into the current shipping version, here’s a...
Final Cut Pro 10.6.6 (for Mac)
Introduction While the new iPad edition of FCP is very welcome, it’s been over a year since the last...
Final Cut Pro for the iPad
Introduction So this is what the FCP team have been up to all this time! It’s certainly been rumored...
Color Grading in Final Cut Pro with the Monogram Creative Console
I’ve avoided control surfaces for years. I’m not sure why: part of it has to do with the fact...
The Magic of Motion
Recently Iain Anderson posted a great article about Motion being every editor’s secret weapon. I agree whole-heartedly. If you...
Dupe Detection is coming to Final Cut Pro and this is how it works
The recent release of the Mac Studio has everyone in the video editing world wondering about Final Cut Pro,...
Learn Final Cut Pro in Under 60 Minutes
Our regular MacBreak Studio episodes are 5 to 10 minute tips, usually focused on post-production, and often covering Final...
GeekTip™: Use an adjustment layer for a 2x vectorscope in FCPX
Behold the vectorscope in Final Cut Pro X, and glory in its limited options: You can set it up...
Faster Editing in Final Cut Pro with “Press & Hold”
Experienced editors know the value of minimizing clicking and keystrokes: they can edit faster and focus more on crafting...
Final Cut Pro 10.6 New Features
Full dot releases for both Final Cut Pro and Motion today with a few new and interesting features. First,...