Publishing Path Animations for Final Cut Pro X
This week on MacBreak Studio, I take you “under the hood” to peek at our development process for a...
Creating Freeze Frame Effects in Final Cut Pro X
This week on MacBreak Studio, I demonstrate a simple example of the “freeze frame” effect and how to accomplish...
Creating a Commercial Plugin for Final Cut Pro X with Motion
This week on MacBreak Studio, I follow up from last week’s episode, in which I demonstrated how to build...
Creating a Text Message Animation in Motion
I’ve often said that Motion is Final Cut Pro X’s secret weapon, and recently I’ve been on a bit...
How to: Easy remote editing and collaboration with identical hard drives
There is, without a doubt, more interest and movement today about true remote editing than has ever happened before...
Loupedeck CT Review Part 3: Using the CT with Final Cut Pro X
This is part 3 of my Loupedeck CT review, and this entry will focus on using the Loupedeck CT...
Final Cut Pro X and 35mm Film Can be Friends
At the Motion Picture Editors Guild, The Banker editor and producer, Joel Viertel, attended a presentation by Kevin Bailey...
10 Tips for Multicam Editing in Final Cut Pro X
This year was the 30th anniversary of the Bioneers conference held annually at the Marin Civic Center in San...
Hedge launches Postlab with 3 flavors: Postlab, Postlab Pro and Postlab Server
Postlab now comes in three flavors: Postlab, Postlab Pro, and Postlab Server. Postlab allows you to work on and...
Color Finale 2 for FCPX: it is time to forget external color grading tools
ColorTrix released Color Finale 2 and Color Finale 2 Pro for Final Cut Pro X, inviting users to experience...
