Congratulations to the ACE EDDIE WINNERS!
Friday night, January 18th, 2020 the American Cinema Editors announced its 2020 winners at a gala celebration of this...
ART OF THE CUT with Phyllis Housen, ACE, editor of “Clemency”
Phyllis Housen, ACE has been a feature film editor since the early ’90s, including Cargo, To Whom it May...
ART OF THE CUT editing “Adrift” with Oscar-winner John Gilbert, ACE
John Gilbert, ACE, started as an assistant editor in his native New Zealand in 1980, under Oscar-winner, Jamie Selkirk,...
ART OF THE CUT with “A Quiet Place” editor, Chris Tellefsen, ACE
Editor Christopher Tellefsen has a great body of work. Starting as an assistant editor on The Color of Money...
ART OF THE CUT with RED SPARROW’s Alan Edward Bell, ACE
This is not my first conversation with veteran editor, Alan Edward Bell, ACE. You can read about the editing...
ART OF THE CUT on editing JUMANJI: Welcome to the Jungle
When you’re discussing editing of a tentpole movie with a lot of VFX, tons of footage and a tight...
Why Final Cut Pro X? A Producer’s POV – Feature Film: Daisy Winters
My entire professional life has been ‘to protect the money.’ Final Cut Pro X is a fabulous cost-saving option...
ART OF THE CUT on Ridley Scott’s Alien: Covenant
Pietro Scalia has won two Best Editing Oscars, for his work on JFK and Black Hawk Down. He was...
ART OF THE CUT with “Cure For Wellness” editor
Pete Beaudreau has been editing features since 2001. He’s best known for the films Beasts of No Nation, The...
ART OF THE CUT with Oscar Winner Hughes Winborne on “Fences”
Hughes Winborne, ACE, is an Oscar-winning editor (Crash, 2005) who has cut more than two dozen feature films including...
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