ART OF THE CUT on editing “The Ballad of Buster Scruggs”
Eyal Dimant, associate editor on the Coen brothers’ Netflix film, The Ballad of Buster Scruggs discusses editing alongside the...
ART OF THE CUT with Plummy Tucker, ACE on editing “Destroyer”
Plummy Tucker, ACE, has edited films including Girl Fight, Aeon Flux, Jennifer’s Body, and The Invitation. She was nominated...
ART OF THE CUT on editing Spider-Man: Into the Spider-Verse
Robert Fisher Jr. most recently served as lead editor on Sony Pictures Animation’s computer-animated Spider-Man: Into the Spider-Verse, now...
ART OF THE CUT with Oscar-winning editor, Chris Dickens, ACE
Chris Dickens, ACE, won the Oscar and an ACE Eddie for Best Editing for Slumdog Millionaire. He was also...
ART OF THE CUT with Oscar-nominee, Tatiana Riegel, ACE
Tatiana Riegel, ACE was last profiled in Art of the Cut for her Oscar-nominated editing of director Craig Gillespie’s I,...
ART OF THE CUT WITH Oscar-nominated editor Juliette Welfling
Juliette Welfling is the winner of five Cesar Awards (France’s “Academy Awards”). She was nominated for an Oscar for...
ART OF THE CUT with Oscar-winner Tom Cross, ACE on editing “First Man”
Tom Cross, ACE won an Oscar for Best editing for Whiplash, and was nominated for Oscars and La La...
ART OF THE CUT with the editing team of “Creed II”
Three editors teamed up to bring a cohesive editorial vision to Creed II. Dana E Glauberman, ACE, has previously...
ART OF THE CUT with Oscar-nominated editor, Joe Walker, ACE on “Widows”
Oscar nominated editor Joe Walker, ACE, recently cut the movie Widows for director Steve McQueen. It’s their fourth feature...
ART OF THE CUT with Oscar nominee and ACE Lifetime Achievement winner Carol Littleton, ACE
Carol Littleton, ACE started her editorial career in 1975. She began a long-term working relationship with director Lawrence Kasdan...
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