ART OF THE CUT with Lee Percy, ACE on “The Mountain Between Us”
Lee Percy, ACE, has been editing since 1980 and has cut films like Year of the Gun, for director...
ART OF THE CUT with Eddie Hamilton, ACE on Kingsman: The Golden Circle
This is Art of the Cut’s second interview with Eddie Hamilton, ACE. The first one was about Mission: Impossible...
ART OF THE CUT with “IT” editor, Jason Ballantine, ASE
Jason Ballantine, ASE (Australian Screen Editors) has been in the film industry since 1992 and is currently living in...
ART OF THE CUT with Oscar Winner Alan Heim, ACE
Alan Heim is the former President of American Cinema Editors and is the current President of the Motion Picture...
ART OF THE CUT with Jake Roberts, ACE on “Hitman’s Bodyguard”
Jake Roberts, ACE was recently nominated for an Oscar and an EDDIE for his editing on Hell or High...
ART OF THE CUT on delivering DUNKIRK in IMAX and 70mm
John Lee has been as assistant editor since 1993, including work as assistant editor, associate editor or additional editor...
ART OF THE CUT with Michael Berenbaum
Michael Berenbaum, ACE won two Emmys and two Eddies for Best editing for Desperate Housewives and Sex and the...
Let’s Edit with Media Composer – DCP Creation Part 1 – Setup
In this Let’s Edit with Media Composer lesson, Kevin P McAuliffe talks about getting your Media Composer timeline ready...
ART OF THE CUT with Oscar nominated editor, Lee Smith, ACE on DUNKIRK
Lee Smith, ACE has cut numerous films with Christopher Nolan, including Interstellar, The Dark Knight Rises, Inception (for which...
Let’s Edit with Media Composer – What’s New in v8.9
In this Let’s Edit with Media Composer lesson, Kevin P McAuliffe talks about some of the great new features...
