Creating a Storyboard in Final Cut Pro X
How do you tell a visual story without any visuals? This week on MacBreak Studio, Steve Martin from Ripple...
Installing and editing with Final Cut Pro 7 on a new Macbook Pro with Yosemite
It had been well over a year since I saw my good friend and longtime business partner Final Cut...
SmartView 4K monitor: like a DreamColor monitor with built-in Teranex?
At IBC in Amsterdam, Blackmagic showed its US$1995 SmartView 4K (Ultra HD) monitor, which features built-in 3D LUTs, Teranex...
Media Composer 101 – Advanced – Reformatting your Footage
We’re heading back to the mailbag to answer another viewer question, and it’s one that throws people for a...
Coming Soon: Veydras Micro 4/3 Cinema Primes
Los Angeles lensmen Ryan Avery (formerly with Schneider Optics) and Jim Zhang (a behind-the-scenes designer for the likes of...
Moving “Tracks” in Final Cut Pro X
How do you select all “tracks” in Final Cut Pro X, and do you even need to? This week...
Jeff Brue engineers production pipeline for “Gone Girl”
Jeff Brue founded Open Drives four years ago to design storage solutions for the media and entertainment industry. Working...
Peter Mavromates helps orchestrate new workflow for Fincher’s “Gone Girl”
In the past decade, Peter Mavromates has worked on more than a dozen feature films, as well as a...
Media Composer 101 – Advanced – Roundtripping to After Effects
In the next lesson of Kevin P McAuliffe's “Media Composer 101” tutorial series, he sidesteps from the basic training...
Tyler Nelson assists with ambitious edit on “Gone Girl”
As a child, Tyler Nelson liked to play with Legos. He enjoyed the process of building things, taking them...
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