Know the Pro: Stu Maschwitz
This article series, to be posted once a month, will focus on one person in the Film or Television...
Locking Fonts in Final Cut Pro X
Why would you want to “lock” a font? That's a question we tackle in this week's MacBreak Studio, where...
Epson Moverio BT-200 Smart Glasses with the DJI Phantom 2 Vision+
Unlike typical FPV goggles that basically block out the world around you and force you to only see what...
Golden Globe nominated “Gone Girl” marks yet another milestone for Adobe Premiere Pro CC
**Update 12/11: Gone Girl has earned four Golden Globe nominations, including Best Director, Motion Picture; Best Performance by an...
Product Review: DSLRPros 3-Axis Handheld Stabilizers
Never before have 3-axis brushless motor-driven handheld stabilizers been more needed than with release of the latest smartphones and...
Thrilling theater-goers with “The Last Showing”
Since the age of 13, director Phil Hawkins has cultivated his passion for filmmaking by writing and directing for...
Preparing for Cinema 4D Lite v2.0
Adobe pre-announced many of the new features for the next version of After Effects CC 2014 at the just-passed...
Multi-screen Multicam in Final Cut Pro X
Putting the Angle Viewer into the Timeline? That is essentially what Steve Martin from Ripple Training shows us how...
Adobe at IBC 2014 – the show in review
It felt like summer in Amsterdam, host city for the International Broadcasting Convention, Europe’s largest industry tradeshow. Inside the...
Creating Final Cut Pro Transitions in Motion
How do you customize effects in Final Cut Pro X? That's a question I hear frequently from legacy Final...
PVC Favorites
Production
Review: Mofage Talos Damping Magic Arm
Post Production
