Review: iZotope Dialogue Match
With Dialogue Match, iZotope has once again created go to technology for post audio professionals. Their RX line is...
The secret life of behind-the-lens nets
“What’s with the pattern in the headlights?” I asked the first camera assistant, as I looked through “B” camera...
The Filmtools Podcast Eps. 5 with Cinematographer & VFX Artist Phil Holland
Each week The Filmtools Podcast talks with industry professionals in a candid conversation about their career, relevant news within...
Introducing The Filmtools Podcast
Each week we will talk with industry professionals in a candid conversation about their career, relevant news within the...
Quantifying the Large Format Look
Large format is no longer out of reach of the average filmmaker, but the look is difficult to quantify....
Filmmaker Friday featuring James McKenzie
With hundreds of jobs and opportunities, breaking into the entertainment industry can be a unique experience for anyone who...
Behind-the-lens nets: a lost art makes a comeback
I’ve always been a little different. That’s the only explanation I have for cutting gels out of Rosco and...
Film lens vs. digital lens: what are the differences?
I’ve worked with a lot of cameras, and I’ve always come back to ARRI cameras whenever I’ve had the...
Lens coverage, sensor size, and pushing the limits
Sensors and lenses don’t always get along. In the HDR and UHD world, it’s important to test, test, test....
Signature Primes vs. Ultra Primes: The Pixel-Peeper’s Guide
For nine months I’ve been working periodically as a trainer for the ARRI Academy. Recently we added an Alexa...
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