Should Professional Editors care about FCPX (again)?
Last October Kevin McAuliffe told us in two articles that Final Cut Pro X wasn't worth caring about: “FCPX...
Adobe at Sundance 2014
Adobe will be at the Sundance Film Festival again this year in support of emerging independent filmmakers and great...
Working with Libraries in Final Cut Pro X
Welcome to our third MacBreak Studio on the brand new Final Cut Pro 10.1! In this episode, Steve Martin...
HP Z1 G2 offers Thunderbolt2 and matte display! (First look article)
I am so glad that HP has addressed what I considered to be the two biggest weaknesses of the...
Five iOS-capable, dual-input balanced>USB audio interfaces compared
In prior articles, we have established that the best audio quality on iOS devices is achieved when connecting digitally,...
Money
Imagine this: It’s the Producer’s Invitational Pancake Breakfast. Large hotel ballroom: happy grips, electricians and DPs are pouring batter...
Drew Christie returns to Sundance
Drew Christie is a new kind of multimedia artist, as comfortable with pen and ink as he is with...
A Q and A with Avid about Sphere, ISIS and Interplay
Adobe made a big splash over the last year + with Adobe Anywhere, their “real-time collaboration” platform meant to...
Live from Sundance: Adobe to stream filmmaker panel on January 17
With today’s technologies, low budget no longer means low-quality for independent filmmakers. On January 17, 2014 Adobe will present a...
Get Started Fast with Avid Media Composer 7: Lesson 4
If you've been thinking that Media Composer is a little to daunting to get started with, than part four...
PVC Favorites
Production
Review: Mofage Talos Damping Magic Arm
Post Production
