Review: SliceX powered by mocha is a must have for FCPX
When it comes to quality motion tracking it’s hard to beat Imagineer Systems and what they have with their...
2013 Sundance Institute Directors Lab: June 1, 2013 – June 11, 2013
Production (Camera) Blog 4 By: Jason Ball – Camera Assistant After our first week of shooting at the Sundance...
Creating a Spirograph Effect in Motion
This week on MacBreak Studio, I talk with Steve Martin from Ripple Training about how to recreate the Spirograph...
After Effects ExtendScript Training: Ep. 10
UPDATED: 6/30/13 Welcome to episode 10 of the After Effects ExtendScript Training series. In this episode we will create...
NVIDIA K5000 – Next step in GPU power and tech
Before I received the NVIDIA K5000, I read about it and was excited that it had H.264 encoding capability...
The Color Grading Environment and Ideal Lume Bias Lights
In my first book on color correction, “Color Correction for Video – 2nd Edition” there’s a great story about...
Cine Gear 2013 Wrapup
I've always enjoyed the pace of Cine Gear more than NAB expo. Set on the Paramount LA backlot on...
Making Ken Burns Obey
This week on MacBreak Studio, Steve Martin from Ripple Training shows us how to “take charge” of the Ken...
ScopeBox 3.3: Affordable and customizable video scopes
Video scopes are one of those things we often take for granted. Most all NLEs have video scopes somewhere...
After Effects ExtendScript Training: Ep. 9
Welcome to episode 9 of the After Effects ExtendScript Training series. We will continue from last week and modify...
