OLED field monitor upgradable to become a recorder? Enter the Odyssey7 and Odyssey7Q
Long time ProVideo Coalition readers know that I have been covering external progressive 4:2:2 and 4:4:4 recorders from different...
Working with Keyframes in Motion
This week on MacBreak Studio, I get back to the basics in Motion by showing Steve Martin from Ripple...
Photos: Sony F5 and F55
Today, one of our excellent local rental houses, Videofax in San Francisco, held an Open House to show off...
Batch Renaming Clips in Final Cut Pro X
Depending on your source footage, Final Cut Pro X may assign clip names based on the metadata associated with...
Come Learn Final Cut Pro X and Motion at NAB
So what's the deal with Final Cut Pro X now that it's been out for almost 2 years? Can...
Timeline: A History of Editing goes digital with lots of new material
Timeline: A History of Editing is an amazingly detailed book about just what the subtitle says, a history of...
VFX Workers Next Steps: Pi Day
After a dramatic few weeks that have seen Chapter 11 bankruptcy proceedings for VFX Oscar winner Rhythm & Hues,...
Retiming a Generator in Final Cut Pro X
Generators in Final Cut Pro X are Motion projects that are stored in the Generators Browser. Many of the...
A Conversation with Peter Deming, ASC: From Evil Dead II to Oz: The Great and Powerful
UPDATED: 3/11/13 This past weekend Oz the Great and Powerful pulled in $80.3 million in North America with an additional...
Why did Apple drop Castilian video subtitles and soundtracks in iTunes 11.02?
When I published two separate Open Letters to Apple less than two weeks ago (links ahead), I didn’t expect...
PVC Favorites
Production
Review: Mofage Talos Damping Magic Arm
Post Production
