ARRI Signature Primes: the conscious design of softness
This is a story about a lens family whose soft focus backgrounds were consciously designed, and the lens mount...
Excellence – 28 Weeks of Post Audio Redux
Editor’s Note: “28 Weeks of Post Audio” originally ran over the course of 28 weeks starting in November of...
Working With Clients – 28 Weeks of Post Audio
Editor’s Note: “28 Weeks of Post Audio” originally ran over the course of 28 weeks starting in November of...
AE Project Diary: 6) Xian part 1. Compositing.
When I started on the Xian project in 2011, it was the largest and most complex compositing project I...
Filmtools Filmmaker Friday featuring Filmmaker Marco Gutierrez
With hundreds of careers and opportunities, the filmmaking industry can be a unique experience for a Filmmaker. Filmtools decided...
Setting up your on-set monitor: what to look for, and what to avoid
A few years ago, when high quality LCD monitors didn’t exist, I found myself in the wonderful position of...
Filmtools Filmmaker Friday featuring Filmmaker Lewis Forfar
With hundreds of careers and opportunities, the Filmmaking industry can be a unique experience for a Filmmaker. Options include pitching...
Filmtools Filmmaker Friday featuring Filmmaker EJ Horstman
With hundreds of careers and opportunities, the Filmmaking industry can be a unique experience for a Filmmaker. Options include pitching...
The film look: what is it, and why are there two of them?
The film look is an elusive thing. Everyone has their favorite flavor, but there are two basic, yet opposite,...
Alexa 65 shows that large format TV makes a difference in “Altered Carbon”
I’m eight episodes in to Netflix’s Altered Carbon, and I’ve officially become a believer in large format TV cinematography....
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