A Guide to Shooting HDR TV: Day 5, “The Technical Side of HDR”
This is the fifth installment of a six-part HDR “survival guide.” Over the course of this series, I hope...
A Guide to Shooting HDR TV: Day 4, “Artistic Considerations”
This is the fourth installment of six-part HDR “survival guide.” Over the course of this series, I hope to...
Filmmaker Friday featuring Kenneth Stachnik
With hundreds of careers and opportunities, the filmmaking industry can be a unique experience for a filmmaker. Options include...
A Guide to Shooting HDR TV, Day 3: “Monitor Considerations”
This is the third installment of a six-part HDR “survival guide.” Over the course of this five-part series, I...
A Guide to Shooting HDR TV: Day 2, “On Set with HDR”
This is the second installment of a six-part HDR “survival guide.” Over the course of this series, I hope...
Filmmaker Friday with Filmmaker Jessica Lopez
With hundreds of careers and opportunities, the filmmaking industry can be a unique experience for a filmmaker. Options include...
Cooke Anamorphic Lenses Bring Class and Character to a Clean Digital World
I remember the first time I worked in anamorphic. I’d landed a job as “A” camera operator on a...
Filmmaker Friday with Fiorella Occhipinti
With hundreds of careers and opportunities, the filmmaking industry can be a unique experience for a filmmaker. Options include...
ART OF THE SHOT: “Bad Santa 2” DP Theo Van de Sande
One of Theo Van de Sande most recent films was the second edition of the Bill Bob Thorton film...
Three Variations on Lighting a Single Shot Commercial
I love a challenge, as that’s when I get to do my best work. One of these spots was...
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