AN INSIDER’S PERSPECTIVE ON THE CREATIVE WORLD OF FILMMAKING WITH PETE GILL
With hundreds of careers and opportunities, the Filmmaking industry can be a unique experience for a Filmmaker. Options include pitching...
Polishing the Talking Head Interview
I’m constantly experimenting with common lighting setups and trying to make them better. There is no more common lighting...
Flicker: Why On-Set Monitors Fail Us
While working as a young second camera assistant on a film TV series in the 1990s, I noticed the...
Stop working for free!
It’s becoming more and more frustrating lately seeing all the people posting online looking for people to work for...
AN INSIDER’S PERSPECTIVE ON THE CREATIVE WORLD OF FILMMAKING
With hundreds of careers and opportunities, the Filmmaking industry can be a unique experience for a Filmmaker. Options include pitching...
An Insider’s Perspective on the Creative World of Filmmaking
With hundreds of careers and opportunities, the Filmmaking industry can be a unique experience for a Filmmaker. Options include pitching...
ART OF THE SHOT: The DP of “The Fosters” Kees Van Oostrum, ASC
He is the current President of the American Society of Cinematographers and at times he shoots on the Blackmagic...
TLCI vs. CRI, CQS, etc.: How do they stack up?
How does TLCI stack up against the other measures of color accuracy? I’ve argued that its testing methodologies might...
Light the background to light the foreground
Years ago, when I first lit a shot of an actor, head to toe, standing on a green screen cyc,...
Looking Back on 2016 and Forward to 2017 in Production and Post – A PVC Roundtable Discussion
We’ve already taken a look back on the biggest articles and series that were published on PVC in 2016,...
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