Review: Asus PA279CRV 4K HDR ProArt Display for video editing/grading «etalonaje»
Here is my review of the Asus PA279CRV 4K HDR 27” monitor (U$469) for video editing/grading «etalonaje». Asus graciously...
Review: HP DreamColor 4K Z27xs G3 “junior” monitor for video grading & editing
Here is my review of the DreamColor Z27xs G3 “junior”(affordable) (MSRP US$674) based upon the review unit I received...
The 2021 FilmLight Colour Awards
FilmLight, in cooperation with an assortment of industry groups, is organizing the Colour Awards to celebrate the contributions of...
DaVinci Resolve on an old laptop? Alex Jordan shows us how!
Many people hear about DaVinci Resolve and its incomparable innovations for both editing and grading, but are afraid it...
5 Color Illusions that Colorists & filmmakers should be familiar with
Optical illusions and irregular visual phenomena mean many things to us. Simple enough to be enjoyed by anyone, yet perplexing...
New Blackmagic RAW códec: what the industry needed
Blackmagic just released its new RAW video códec. This is especially helpful for those who demand the most latitude...
Auditioning Scene Looks in Final Cut Pro X
https://www.youtube.com/watch?v=65EfKwzXG8M&feature=em-uploademail This week on MacBreak Studio, Steve Martin from Ripple Training welcomes very special guest Sam Mestman from Lumaforge....
NAB 2018: Codex ColorSynth for FCPX
Codex Digital has long been known for elegant and robust on-camera recorders, rack-mounted Vault recorders, and the Codex Production...
Working in HDR with Final Cut Pro X
https://www.youtube.com/watch?v=o2fYE1tZyrY&feature=em-uploademail This week on MacBreak Studio, I talk with Ripple Training’s Steve Martin about how to work with HDR...
The film look: what is it, and why are there two of them?
The film look is an elusive thing. Everyone has their favorite flavor, but there are two basic, yet opposite,...
