2023 NAB Show New York: “Autumn in New York, why does it seem so inviting?”
It’s a city so nice that they named it twice; an inspiring meld of concrete and dreams, islands and...
Cinematographer Zach Kuperstein on pairing a VENICE with ZEISS Supremes
For his first time shooting with the Sony VENICE I, cinematographer Zach Kuperstein picked ZEISS Supreme Primes as the...
ART OF THE CUT – with ACE Eddie winner Jake Pushinsky, ACE
Jake Pushinsky, ACE just won the ACE Eddie for Best Edited Documentary (non-theatrical) for the two part HBO documentary...
SIGGRAPH 2019 concluded with the highest attendance since 2013
Four world-premiere immersive experiences and the first-ever 55-seat venue for virtual reality storytelling in the VR Theater were some...
The Art of the Cut Podcast Eps. 3 (w/ Chernobyl Editor Simon Smith)
The Art of the Cut podcast brings the fantastic conversations that Steve Hullfish has with world renowned editors into...
Art of the Cut with Oscar-winner, William Goldenberg
William Goldenberg, ACE, won the Oscar for Best Editing for Argo. He received additional Oscar nominations and ACE Eddies...
Charlie Parish: three years filming HBO’s The Defiant Ones
Charlie Parish put a camera on his shoulder, either a Canon Cinema EOS C300 or C500, and took off...
Game of Thrones: the beginning of the end
Season 8 will put an end to the saga Game of Thrones. One year from now the last six...
ART OF THE CUT with the editors of “Westworld”
Today’s Art of the Cut is with the editing team behind the critically acclaimed HBO series Westworld. Discussing their...
Westworld: a challenging playground for the sound team
The sounds of Westworld will come back to us in 2018, when the new season begins. But if you...
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