Color Management Part 26: ACES and After Effects – the express tutorial
ACES and OpenColorIO are the industry standard tools for color management in the VFX industry. It’s now been two...
Color Management Part 24: Corporate Branding Colors and video production
Adobe After Effects is the industry standard app for motion graphics, and yet working with color management can strike...
Color Management Part 23: HDR tone mapping in practise
When John Lennon said “Life is what happens while you’re busy making other plans”, he might have been talking...
Color Management Part 22: Introducing Tone Mapping
Tone Mapping is an integral part of modern video post production, but I didn’t even realise it was a...
Color Management Part 21: HDR formats, colorspaces and TLAs
High Dynamic Range video is a new frontier for many After Effects users, but despite the clear advantages it...
Color Management Part 20: HDR Compositing just looks better!
High Dynamic Range compositing, using 32 bit float mode in After Effects, just looks better. It’s that simple, and...
Color Management Part 19: High Dynamic Range – introducing HDR
High Dynamic Range video, or HDR, is the reason this entire series on color management exists. So it’s pretty...
Working in HDR with Final Cut Pro X
https://www.youtube.com/watch?v=o2fYE1tZyrY&feature=em-uploademail This week on MacBreak Studio, I talk with Ripple Training’s Steve Martin about how to work with HDR...
Real time HDR/WCG conversion with AJA’s FS-HDR
Presented as a real world answer for realtime HDR processing, the new FS-HDR from AJA provides the flexibility to...
AJA Talks High Dynamic Range with their FS-HDR: NAB 2017 Video
At NAB 2017, AJA showed off their high pursuit for helping companies deliver High Dynamic Range (HDR) so their...
PVC Favorites
Production
Review: Mofage Talos Damping Magic Arm
Post Production
