Color Management Part 24: Corporate Branding Colors and video production
Adobe After Effects is the industry standard app for motion graphics, and yet working with color management can strike...
Color Management Part 23: HDR tone mapping in practise
When John Lennon said “Life is what happens while you’re busy making other plans”, he might have been talking...
Color Management Part 22: Introducing Tone Mapping
Tone Mapping is an integral part of modern video post production, but I didn’t even realise it was a...
Color Management Part 21: HDR formats, colorspaces and TLAs
High Dynamic Range video is a new frontier for many After Effects users, but despite the clear advantages it...
Color Management Part 20: HDR Compositing just looks better!
High Dynamic Range compositing, using 32 bit float mode in After Effects, just looks better. It’s that simple, and...
Color Management Part 19: High Dynamic Range – introducing HDR
High Dynamic Range video, or HDR, is the reason this entire series on color management exists. So it’s pretty...
Working in HDR with Final Cut Pro X
https://www.youtube.com/watch?v=o2fYE1tZyrY&feature=em-uploademail This week on MacBreak Studio, I talk with Ripple Training’s Steve Martin about how to work with HDR...
Real time HDR/WCG conversion with AJA’s FS-HDR
Presented as a real world answer for realtime HDR processing, the new FS-HDR from AJA provides the flexibility to...
AJA Talks High Dynamic Range with their FS-HDR: NAB 2017 Video
At NAB 2017, AJA showed off their high pursuit for helping companies deliver High Dynamic Range (HDR) so their...
Golf Channel’s Sony PetaSite Storage
With the help of Sony, NBC’s Golf Channel can tee up the archive, drive home the petabytes and nail...
