ART OF THE CUT with Ken Burns’ doc editor Craig Mellish, ACE
Documentary editing is an art form that requires tremendous patience, skill and imagination. Eisenstein’s theories about the juxtaposition of...
ART OF THE CUT with the editor of “The Jungle Book,” Mark Livolsi, ACE
Editor Mark Livolsi, ACE, started out as an apprentice editor on “Wall Street” (1987), moving up through the ranks...
These are a few of my favorite things… in Resolve 12.5
Just a quick tour of some of the new stuff I like after playing with 12.5 a bit, including some...
ART OF THE CUT with Oscar winning editor: Martin Walsh
In the Art of the Cut interview series I’ve had the pleasure to interview several Oscar-winning editors. This one...
Art of the Cut with “Batman v Superman” editor, David Brenner
David Brenner has 23 credits as an editor going back to the 1980s with “Talk Radio,” “Born on the...
“Whiskey Tango Foxtrot” co-director Glenn Ficarra on editing
Glenn Ficarra and John Requa have co-written numerous feature films, including “Bad Santa” “The Bad News Bears,” and “Focus.”...
ART OF THE CUT with MARGARET SIXEL, editor of “MAD MAX: FURY ROAD”
This year’s Best Editing Oscar went to Margaret Sixel for “Mad Max: Fury Road.” Sixel worked on the project...
ART OF THE CUT: JAN KOVAC CUTS “WHISKEY TANGO FOXTROT” ON FCP-X
Jan Kovac started his editing career re-editing shows, like HBO’s “The Sopranos” from their original HBO broadcast down to...
ART OF THE CUT with Lee Smith on cutting 007’s “Spectre”
Lee Smith, ACE, most recently cut the Bond flick, “Spectre” but has also cut “Master and Commander,” “Batman Begins,”...
ART OF THE CUT with “Deadpool” editor Julian Clarke
“Deadpool” is one of the biggest films to date to be edited in Premiere Pro CC. Its editor, Julian...
