After Effects Classic Course: Remove Color Matting
One of the tell-tale signs of a good composite versus a bad composite is the quality of the edges...
After Effects Classic Course: Set Matte versus Track Matte
One of the most useful compositing features in After Effects is the ability to use the properties of one...
After Effects Classic Course: Set Channels & Shift Channels
Earlier this year, we talked about the Photoshop skill known as “ChOps” – Channel Operations, where you manipulate individual...
After Effects Classic Course: Shadow/Highlight
In addition to creating motion graphics, we are both also into mixed media art, which often means trips through...
After Effects Classic Course: Color Stabilizer
While discussing color-oriented plug-in effects, one of the more common tasks we’ve covered is fixing color imbalances in an...
After Effects Classic Course: Solid Composite
In the previous post we showed you how to use a Solid layer plus Blending Modes to tint an...
After Effects Classic Course: Tinting with Solids & Shape Layers
In the previous post we showed you how to use Photo Filter, which is an extremely easy color tinting...
After Effects Classic Course: Photo Filter
A couple of posts ago we were talking about using Colorama for tinting an image. If you are just...
After Effects Classic Course: Colorama 3 – Color Cycling
One of the main reasons behind the creation of Colorama is to perform what’s known as “color cycling” effects....
After Effects Classic Course: Colorama 2 – Tinting
After watching the movie in the previous post, you should now be over your initial shock and fear of...
