Blackmagic perfects live + ISO-cam workflow in several ways
With its US$595 ATEM Mini Pro video mixer/recorder/streaming encoder, Blackmagic had already begun facilitating ISO-cam workflow to a certain...
FilmLab: scan film with a smartphone
Shooting film is great, scanning it a nightmare. Abe Fettig decided to try something different: he wrote a software...
RED TECH Rolls On with Three New Videos
RED TECH, RED Digital Cinema’s series of educational videos (previously chronicled in this post by Jose Antunes) is back...
Flowers at high ISO with the EOS 80D
I had the opportunity to try a Canon EOS 80D for three days, but rain and bad weather made...
4.6K URSA Mini Low Light Footage
How good is the 4.6K URSA Mini in lowlight? Well one beta tester shares his candle light scene for...
Sony a7S II: 4K Hands On Video
The a7S II has evolved in both Stills and Movies adding internal 4K video recording, 5-axis image stabilization and...
Sony Mirrorless Cameras Get Bump In Color
Sony announces addition of uncompressed 14-bit raw still image capture for new α Cameras
LUT Tricks for the Sony FS7/F5/F55
Sony’s Cine-EI mode is both a blessing and a curse. Here’s how to work to its strengths and around...
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