Leica DG Vario-Summilux 25-50mm f/1.7: a lens for MFT filmmakers
With a mechanism that suppresses focus breathing at entire zoom range and the stepless aperture ring, the new Leica...
Leica SL2-S: video-centric camera takes photography seriously
Able to capture 10-bit 4K video recordings with no video length limits, the Leica SL2-S arrives with the promise...
Leica M10-R: a 40-megapixel variant of a legendary camera
More pixels, more detail, wider dynamic range, less noise, and maximum exposure time up to 16 minutes are features...
Leica S3: medium format camera with 64MP sensor and 4K cinema resolution
For the first time, the entire area of the 30 x 45 mm sensor can be used for 4K...
Leica and Insta360 want to reinvent the action cam with the Insta360 ONE R
Co-engineered with Leica is a catchy phrase that helps to promote a product, so the new Insta360 ONE R...
LUMIX S1H: Panasonic says this camera offers the best possible performance
With a price tag of $3999.99, the new LUMIX S1H makes it to the market with a lens that...
Focus ramping: when T-stops go bad
Years ago, while assisting on a sitcom, I helped the director of photography shoot exposure tests on all of...
Four lenses: a visual comparison, part 2
It’s time to name names. I’m going to tell you what lenses you’ve been looking at for the last...
Leica M10-P ‘ASC 100 Edition’: the M for cinematographers and filmmakers
The ASC logotype on the top plate, the PL-mount cine lenses, the Cine Looks and aspect ratio options, all...
Chromatic aberration: hard edges, hue shifts, and storytelling
Accidents yield interesting truths. This is especially true in lens and camera tests, where it’s hard to know what...
