Review: Fujinon MK18-55mm T2.9 E-mount cine zoom
Fujinon has just announced two new lightweight cine zooms for E-mount cameras, the MK18-55mm T2.9 and the MK50-135mm T2.9....
How to pick optics for the new GH5 camera/camcorder
As covered in my prior article (and likely others you will have already read), the new Panasonic GH5 camera/camcorder...
New Xenon FF-Prime Cine-Tilt Lenses
Schneider-Kreuznach introduced an entire new Cine-Tilt lens line-up. The new Xenon FF-Prime Cine-Tilt lenses each come with ± 4°...
Hot Gear: stolen equipment
On 11 September, loathsome lowlifes robbed San Francisco rental house Videofax of over $1,000,000 of equipment. The contemptible crims cut phone...
A Season of New Cinema Lenses for Filmmakers
Are we right in the middle of a cinema lens revolution? I am talking about cinema lenses priced for...
Classic Speed Panchros reborn in modern form
Cooke Optics has announced a new line of old lenses: classic Speed Panchros, updated to cover S35mm formats (30mm...
P+S Technik Announces 70-200 1.5x Anamorphic Zoom Lens
At Cine Gear 2016 P+S Technik added a second Cinemascope lens to their repertoire. The New 70-200mm anamorphic zoom...
P + S Technik’s 1.5x 35-70mm Anamorphic Zoom
There I stood in Wooden Camera’s booth at NAB 2016. The woman in front of me cocked her head...
PVC Talks To SLR Magic About 2 New PL Lenses: NAB 2016
I little over a year ago SLR Magic announced, and produced, the APO-HyperPrime CINE 50mm T2.1 PL Cinema Lens. It...
Throwback Thursday: Zeiss Eye Candy
I attended a local tradeshow...
