Things you didn’t know about color matching lenses
Lens color hasn’t been on my radar until recently. I didn’t know how much I didn’t know until I...
Blackmagic Extends Lens Mount Options for USRA Mini
Blackmagic adds B4 lens mount option to the URSA Mini and URSA Mini 4.6K
New glass: SLR Magic ANAMORPHOT-CINE primes
Hong Kong’s SLR Magic has just announced the development of two sets of anamorphic primes: 1.33x and 2.0x. The sets...
Tips And Gear For Your First Paid Video Gig
So you have booked your first video gig and you have a small amount of startup capital to get...
A reportage lens with revolutionary technology
The Canon EF 35mm f/1.4L II USM, successor to the legendary EF 35mm f/1.4L USM, from 1998, is the...
The end of “Big Optics” in photography
In the middle of the last century, observational astronomy had hit a wall. Larger telescopes were needed to see...
Veydra cine primes to gain E- and C-mount options; 12mm to ship in September
It’s been a busy week for affordable cine primes, with the Samyang XEENs announced Monday and Veydra’s announcement today...
Preview: SLR Magic ANAMORPHOT 2.0x 50 anamorphic adapter
The SLR Magic ANAMORPHOT 2.0x 50 is an anamorphic adapter with the classic Cinemascope 2:1 squeeze ratio, designed to mount in...
Canon EF 50mm f/1.8 STM: The New Nifty Fifty
Compact and lightweight, the new 50mm lens from Canon features STM (Stepping Motor Technology), meaning it was conceived with...
REVIEW: RT Motion MK3.1 Remote Follow Focus Kit
RT Motion’s MK3.1 should be on the radar of anyone looking for a system that can grow with them… ...
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