REVIEW: Litepanels Astra in 2015
Litepanels’ Astra is the best 1×1, bi-color LED panel I’ve come across, which is what I said when I...
Lumapad: LED professional lights at crowdfunding prices
The brightest, highest quality, lowest cost production LED lights available, Lumapad offers up to 10,000 lumens, and up to...
Life as an independent cinematographer, an interview with Nancy Schreiber, ASC
I had the pleasure of speaking with Nancy Schreiber, ASC, who will be featured at the upcoming Manhattan Edit Workshop...
Digital Production Buzz Interview with Art Adams
Not long ago I was interviewed for the online show Digital Production Buzz. The show is now live, and...
Flashpoint LED Panels Best Bang for Your Buck!
Flashpoint LED panel lights are durable, portable and quality construction – and best of all, affordable. I’ve used other...
Rogue FlashBender: Ligther Lighting Solutions
The market for flexible light modifiers may well be saturated with solutions, but since 2010 Expo Imaging found a...
LUT Tricks for the Sony FS7/F5/F55
Sony’s Cine-EI mode is both a blessing and a curse. Here’s how to work to its strengths and around...
LED is King at Cine Gear Expo 2015
LED lights come in different shapes and styles, but after a period of interest for the panel shaped models,...
The Sensation of White: Why I Set Zebras for 90% White Instead of White Clip
The days of setting exposure with zebras set at white clip are most likely over. Here’s a new technique...
TLCI and Camera Color: What a Difference a Prism Block Makes
TLCI’s developer says prism cameras and single sensor cameras respond to color in the same way. Thanks to Panasonic,...
Latest
Post Production
