On-Set Audio- 28 Weeks of Post Audio Redux
Editor’s Note: “28 Weeks of Post Audio” originally ran over the course of 28 weeks starting in November of...
PVC at AES 2014 – Exclusive Info About the DR-60D from Tascam
Improving location audio is one of the simplest ways to greatly enhance the overall quality of your productions. Exceptional...
PVC at AES 2014 – Exciting New Products from Lectrosonics
The Audio Engineering Society (AES) had their 137th International Convention this past week in Los Angeles and I had...
Review: Tascam iXJ2 preamp/A>D enables dual-mic/2-channel opportunities for iOS mediography
Although the Tascam iXJ2 preamp/A>D is officially discontinued, fortunately it is still available (for now). Ahead you’ll discover why...
Pre-Production Audio For Post Production Sound
Pre-production is a busy time for a filmmaker. Meeting and hiring cast and crew, securing locations, making budgets, contracts...
Don’t Just Get The Shot
Filmmakers often ask what they can do to make their projects sound better. They are all looking for that...
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