CREATING YOUR OWN DCP’S – DAVINCI RESOLVE 14 SETUP
In this article, we’re going to talk about DaVinci Resolve, when it comes to creating DCP’s. What makes Resolve...
Cyberlink’s PowerDirector 16 bets on 360 video
Cyberlink’s Director series of video editing software suite has new versions, with PowerDirector 16, ColorDirector 6, and AudioDirector 8...
CREATING YOUR OWN DCP’S – GETTING STARTED
One question that I get asked a lot is, “How do I create my own DCP’s for delivery to...
Atomos “upgrades” Canon DSLRs to HDR
The newly developed C-Log Picture Profiles for Canon DSLR’s gives users an expanded dynamic range at an affordable price,...
BenQ SW320: new monitor gets Technicolor certification
A true 10-bit IPS display, the new BenQ SW320 monitor offers Adobe RGB and precision colour tools in a...
RED TECH Rolls On with Three New Videos
RED TECH, RED Digital Cinema’s series of educational videos (previously chronicled in this post by Jose Antunes) is back...
Cinematic LUTs: an interview with Noam Kroll
Did you ever stop, while using a LUT, to think about the motivations the author had to create that...
Fujifilm’s free color space converter
Fujifilm makes high-end LUT boxes allowing both color space conversion and look creation. The flagship IS-100, a.k.a. CCBOXX, is...
Let’s Edit with Media Composer – ADVANCED – Working with LUT’s
In this lesson, Kevin P McAuliffe talks about working with Look Up Tables (LUT’s) inside of Media Composer. They’re...
Flanders Scientific BoxIO at Cine Gear Expo
First presented at NAB 2016, the BoxIO offers some unique capabilities like frame capture support, real-time LUT updates, and...
Latest
Production
