Prelight: a free Mac app for on-set colour decisions
Sophisticated colour correction and colour management from the beginning of any production right through to the end, and for...
One step LUTs in Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training shows us how to apply LUTs to footage in Final...
V-Log L on the GH4: don’t panic
I shot V-Log L on the GH4 and graded it back to match Cinelike D, comparing internal and external...
Review: A First Look at SmallHD’s New 702 7-Inch 1920×1080 Monitor
If you were like me and the thousands of other attendees at this past year’s NAB conference when SmallHD...
LUTCalc: Trials, errors, and a full-range LC709A LUT
After much experimentation, and a bit of failed hacking, I’ve come up with a good full-range Cine-EI LUT for...
Hacking Alexa’s Rec 709 LUT into a Sony FS7/F5/F55
A new, free app gives us the power to mix and match LUTs—even between cameras! This is what happened...
LUT Tricks for the Sony FS7/F5/F55
Sony’s Cine-EI mode is both a blessing and a curse. Here’s how to work to its strengths and around...
The Sensation of White: Why I Set Zebras for 90% White Instead of White Clip
The days of setting exposure with zebras set at white clip are most likely over. Here’s a new technique...
