Review: iFootage Shark Slider Nano II
When the Shark Slider Nano II was introduced in October, I ordered it the day it launched (which was...
Combining Video & Generative AI in Photoshop
Now that Generative AI in Photoshop has moved out of beta and into the current shipping version, here’s a...
Foolproof Archiving for Final Cut Pro Libraries
Once you’ve completed a Final Cut Pro project, how can you safely tuck away, making it as small as...
Color Grading in Final Cut Pro with the Monogram Creative Console
I’ve avoided control surfaces for years. I’m not sure why: part of it has to do with the fact...
Better Dialogue Edits with L & J Cuts in Final Cut Pro
This week on MacBreak Studio, Steve shows us how to use L & J cuts to tighten up and...
Faster Editing in Final Cut Pro with “Press & Hold”
Experienced editors know the value of minimizing clicking and keystrokes: they can edit faster and focus more on crafting...
Creating a Background in Motion
Last month I taught several sessions at the Final Cut Pro Global Summit. In between my sessions, I checked...
Final Cut Pro 10.6 New Features
Full dot releases for both Final Cut Pro and Motion today with a few new and interesting features. First,...
Matching Microphones in Final Cut Pro
When I shoot MacBreak Studio, I use two microphones: one for the on-camera portion, and one for the user...
Audio Finishing using Roles in Final Cut Pro
How do you work with audio in your NLE when it doesn’t have tracks or a mixer? This week...
