Avid’s new NEXIS | EDGE allows post-production workflows from anywhere and looks a lot like a good proxy workflow
Avid has announced new technology called NEXIS | EDGE that is being touted as an “innovative new software option...
Let’s Edit with Media Composer – Lesson 13 – Bin View Modes
Hey Everyone, Bins, as we know, are the centerpiece of your workflow(s). They are what will make for a...
Avid Media Composer updated, cloud licensing, M1 support
Avid Media Composer recently got a bit update that is notable for a couple of reasons. The first (and...
Real Remote Editing with Jump Desktop
Covid-19 and the year 2020 have turned the professional production and post world on their heads. Among other things,...
Loupedeck Live and Avid Media Composer
I’ve made no secret that I am a huge fan of the Loupedeck CT. So much so it took...
An Art of the Frame interview with editors of LEGO MASTERS
This is the “print” version of my chat with Sara Scotti and Karl Kimbrough, both editors on Fox’s LEGO...
Interview with live television editor Mark Stepp – An Art of the Frame podcast
When it came time to relaunch the PVC Art of the Frame podcast I thought about how I wanted...
Media Composer Relinking Masterclass
One of the most misunderstood concepts in Media Composer is Transcoding vs Consolidating and really, Avid “friendly” media in...
Moving from AVID to Premiere Pro: How’s 45 minutes sound?
One of the most frustrating things for editors switching software is having to sit through all the newbie, “editing...
Let’s Edit with Media Composer – Continuum 2021
For Media Composer Editors, Continuum has always been, in my opinion, the go-to package for effects work in our...
