Review: RØDE Interview PRO wireless microphone-recorder
RØDE’s new Interview PRO microphone has sparked a lot of interest and controversy for many reasons. Of course, the...
Review: FiFine K688 dynamic hybrid studio mic with shockmount and A7WS
The K688 (≈U$73) from FiFine is the first microphone I have ever reviewed whose name indirectly pays homage to...
Review: Shure MV7 dynamic hybrid studio microphone – near, far and beyond
Many reviewers have covered the U$249 Shure MV7 before, although most have concentrated on its use for close speaking....
Review: RØDE Wireless ME with mic in receiver too
RØDE continues to innovate in different areas of audio production hardware and software. After its RØDELink, Wireless GO and...
First look & listen: RØDE NT1 5G hybrid condenser studio microphone with 32-bit digital and analog XLR outputs
This is not my full review of the just announced NT1-5th edition. Instead, this is both a first look...
Review: RØDE XDM-100 studio dynamic USB microphone with internal DSP and external shockmount
Here is my review of the new U$249 RØDE XDM-100 studio dynamic USB microphone. It’s RØDE’s first dynamic microphone...
RØDE launches NT-USB+ condenser studio microphone with DSP inside
Just as we are absorbing and understanding the major impact of the recently released XDM-100, XCM-50 and UNIFY software,...
RØDE unveils UNIFY software, 2 new mics and a sub-brand: RØDE X
After more than three years in development, RØDE has just unveiled its live streaming and gaming division, RØDE X....
Plosive prevention: A7WS, A81WS or WS2, not RK345
Sadly, most people I see and hear vía the Shure SM7B, MV7 and MV7x microphones are using the wrong...
Review: FDUCE SL40 studio dynamic hybrid microphone with A7WS & RØDECaster Pro II
I am privileged to be among the first to be reviewing the new sub US$100 SL40 studio dynamic hybrid...
