In Depth – Ignite Pro from HitFilm
I wanted to follow up my review of HitFilm Pro 2017 with a look at the two products that...
Badu Gili – Behind the scenes
Sydney’s “Artists in Motion” recently posted a rare glimpse into the work involved to produce “Badu Gili”, a building...
Scripts are taking over a lot of my After Effects workflows
I use third party effects. A lot, but what I’m starting to notice more and more is how much...
After Effects: revisiting feature requests from 2008
June 2008 seems like a long time ago now. Adobe had only just released After Effects CS3 and I...
Creating Custom Shape Icons in Motion
https://www.youtube.com/watch?v=IuIxTC5Nzk0&lc=z23twfdh0wawxpfwc04t1aokg323picn15now1jp1r3sbk0h00410.1506601906835950&feature=em-comments This week on MacBreak Studio, I show Steve Martin from Ripple Training how to create custom shape icons...
REVIEW – Trapcode Suite 14 from Red Giant Software
I work in After Effects. A lot, and I always have my “stable” of effects that I find myself...
REVIEW – Yanobox Mosaic
Yanobox is a company that is an interesting predicament. First of all, it’s hard to be a company that...
After Effects NAB 2017 Update
Adobe has announced the next round of updates to their video tools, including a few intriguing updates to After...
These are the latest features in After Effects CC 2017, available now
Today marks the first time Adobe has released updates to its core video and audio applications ahead of NAB,...
Typography in Motion Graphics
Besides graphics, words and texts are the most decisive elements of motion graphics. Typography is vital! Typefaces have a...
