NAB 2019: Chemical Wedding’s Artemis Prime Director’s Viewfinder
Artemis Prime is a lens-mounted director’s viewfinder like none I’ve ever seen. Chemical Wedding, the company behind Artemis Prime...
NAB 2019: Fujinon Premista Large Format Cinema Zooms
Premista, the first large-format cine zoom lens set from Fujinon. ARRI ALEXA Mini LF, Sony VENICE, Canon C700 FF,...
Burning questions about the DaVinci Resolve Editor Keyboard
Let’s talk about the DaVinci Resolve Editor Keyboard. It was a big surprise at NAB 2019 because let’s be...
NAB 2019: Battery Grip for Blackmagic Pocket Cinema Camera 4K
If you shot with the Blackmagic Pocket Cinema Camera 4K then you know the drain it can take on...
NAB 2019: ARRI ALEXA MINI LF: A FIRST LOOK
We at PVC got a chance to check out ARRI’S ALEXA Mini LF while we marched around NAB 2019...
NAB 2019: Laowa 25-100mm T2.9 OOOM Cinema Zoom Lens
Not too long ago Chinese lensmaker Laowa shook up the industry with the Laowa 24mm f/14 2X Macro Probe,...
NAB 2019: Foton Optics M1 25-300mm T2.8 Cine Zoom Lens
It’s big. It’s long. It’s a whole lotta lens. Don’t get cheeky with me. It’s a big lens. At...
NAB 2019: 28, 40 and 105mm Make 10 Sigma Cine Prime lenses
The line up of Cine lenses from Sigma continues to grow, and the new additions expand the options available...
NAB 2019: The Versatile Caldwell Chameleon Anamorphic lenses
OK, let’s talk about beer and how small breweries brew limited edition beers, small batches created following special recipes,...
NAB 2019: What’s in the CRLS C-Kit Drive from BB&S Lighting?
The CRLS (Cine Reflect Lighting System) was an original idea by Christian Berger 20 years ago in Austria. Christian is...
Latest
Post Production
