Meena Singh: how I shot The Confession Tapes
From the why of choosing a Canon EOS C300 Mark II for The Confession Tapes to the importance of...
Art of the Shot: Mindhunter cinematographer Erik Messerschmidt
Shot with a tailor-made RED camera, the RED XENOMORPH, auteur David Fincher chose cinematographer Erik Messerschmidt to helm camera...
ART OF THE CUT with the editors of “The Crown”
I felt like I had this Art of the Cut conversation sitting down to tea with two brilliant colleagues....
This Art Of The Shot: “13 Reasons Why” Director of Photography Andrij Parekh
Andrij Parekh is an NYU’s Tisch School of the Arts (MFA in 2001) trained cinematographer. It was there that...
ART OF THE CUT, editing “A Series of Unfortunate Events”
Stuart Bass, ACE is a Primetime Emmy winning editor (for Pushing Daisies) and has been nominated for numerous Emmys...
Master of None and Love: shooting with the VariCam 35
Mark Schwartzbard is a fan of Panasonic cameras and for Master of None and Love the DP used Panasonic...
RED cameras at Wildscreen 2016
Exclusive footage from Flight of the Swans, the European premiere of The Ivory Game and RED Cameras on display...
