Time to stop hating Avid Titler+!
So, are we? You know, done hating on Avid’s Titler+? A quick history lesson on how we got here...
For me, Artificial Intelligence in Post has mostly been a bust…until now.
I’ll be honest. For me, much like the 3D phase for post, Artificial Intelligence has really been a big...
In Depth – Nobe Omniscope
One issue that colorists, editors and motion graphic designers have had for a long time, is finding reliable software...
Let’s Edit with Media Composer – Lesson 1 – Before You Edit
Well, we’re back! That’s right, the Let’s Edit with Media Composer tutorial series is back after a hiatus, and...
Lightworks 2022.2 beta: a new end-to-end pro editing experience
The new version of Lightworks 2022.2 includes Apple ProRes certification, quick conversion import LUTs, redesigned 10-bit editing automated quality...
Let’s Edit with Media Composer – Lesson 13 – Bin View Modes
Hey Everyone, Bins, as we know, are the centerpiece of your workflow(s). They are what will make for a...
In Depth – Continuum 2022 for Media Composer
There are things that go well together. Peanut Butter and Jam, Vanilla Ice Cream and Chocolate Syrup and Media...
REVIEW – Razer Blade 15 Studio Edition
A while back I took a look at the Razer Core X, an eGPU for my aging Mac system. ...
Media Composer Relinking Masterclass
One of the most misunderstood concepts in Media Composer is Transcoding vs Consolidating and really, Avid “friendly” media in...
Review – mLogic’s LTO8 Thunderbolt 3 Archiving Solution
I’m going to start out this review by saying that LTO drives scare me. Not in the “Scary like...
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Production
Review: Mofage Talos Damping Magic Arm
Post Production
