NAB 2018: Artificial Intelligence in the spotlight
From production to distribution, Artificial Intelligence is entering the industry of filmmaking. The 2018 edition of NAB will dedicate...
VEGAS Movie Studio 15: VEGAS Pro for everyone
Announced as the most powerful two-in-one solution for video and audio editing in its segment, VEGAS Movie Studio 15...
In Depth – Soundly 2 for Windows and OS X
Depending on the type of audio work you do, sound effects play a huge roll in the process. If...
First Look – Rampant Style Kits
We’re all about value for our dollar(s) these days. Whether it’s in the the plug-ins we buy, the storage...
Let’s Edit with MC – Keying Part 3 – BCC Primatte Studio Basics
In this lesson, Kevin P McAuliffe talks about taking your Chroma Keying workflows to the next level, by using...
Let’s Edit with Media Composer – Chroma Keying Part 2 – SpectraMatte
In this lesson, Kevin P McAuliffe continues the discussion on Chroma Keying by talking about the SpectraMatte effect.
Let’s Edit with Media Composer – FrameFlex and Larger than HD Image Sequences
In this lesson, Kevin P McAuliffe answers a viewer question about working creating Pan & Zooms with image sequences...
In Depth – Ignite Pro from HitFilm
I wanted to follow up my review of HitFilm Pro 2017 with a look at the two products that...
DaVinci Resolve 14 Used On Latest Corona Commercial
For the first time filmmaker and Director, Leonardo Dalessandri jumped into the deep end and moved his entire post-production workflow...
Let’s Edit with Media Composer – Chroma keying Part 1 – Garbage Mattes
In this lesson, Kevin P McAuliffe beings a multi part lesson on Chromakeying inside of Media Composer. Lesson One...
