REVIEW – BCC 11 for Media Composer
There are some certainties in the industry we work on, and one of them as become the yearly (or...
Blackmagic’s Cintel Scanner Brings Film From “Water Ski Capital of The World” Back To Life
Rolls and rolls of film will be going through a Blackmagic Design Cintel Scanner and DaVinci Resolve Studio for...
Hands-on with Premiere and Photoshop Elements 2018
Released in time for Christmas, Adobe Photoshop Elements 2018 & Premiere Elements 2018 arrive with a promise: being creative...
CREATING YOUR OWN DCP’S – USING AFTER EFFECTS AS AN INTERMEDIARY
In our last article, we talked about the conversion process for taking our footage from our our NLE (Avid,...
Kingsman: The Golden Circle” Turns To DaVinci Resolve
From production through post-production, 20th Century Fox’s “Kingsman: The Golden Circle,” turned to Blackmagic Design’s DaVinci Resolve Studio for...
Five Things You Didn’t Know You Need To Know About Media Composer
One thing that Avid Media Composer has is options. There’s a ton of options in your settings, there are...
CREATING YOUR OWN DCP’S – DAVINCI RESOLVE 14 SETUP
In this article, we’re going to talk about DaVinci Resolve, when it comes to creating DCP’s. What makes Resolve...
Switching from Final Cut Pro 7 to DaVinci Resolve Video
So… you have been one of those editors who held out hope for an update to Final Cut 7....
Cyberlink’s PowerDirector 16 bets on 360 video
Cyberlink’s Director series of video editing software suite has new versions, with PowerDirector 16, ColorDirector 6, and AudioDirector 8...
Let’s Edit with Media Composer – Creating Night from Day with BCC and Sapphire 10
In this lesson, Kevin P McAuliffe shows you how, using BCC 10, Sapphire 10 and a little help from...
