Lightworks 14: new features and interface
The latest version of Lightworks NLE, focuses on providing the next generation of video creators a toolset that is...
Holiday Deals: JBL LSR305 & Equator Audio D5 Studio Monitors
There was a deal Black Friday weekend on JBL LSR305 Studio Monitor, a good lower-end 5″ active studio monitor. At...
Let’s Edit with Media Composer – ADVANCED – Sapphire Builder Tool Part 2
In this lesson, part 2 of our look at GenArts Sapphire’s Builder tool, Kevin P McAuliffe goes in depth...
HitFilm Pro 2017 and Ignite Pro 2017 released
HitFilm released the new version of their professional grade post-production tools for a growing to a community of over...
HitFilm Pro 2017 steps it up
FXHOME has released HitFilm Pro 2017, the latest version of its all‐in‐one video editing and visual effects app. With...
DaVinci Resolve on Intel Driven VAIO Z Flip
Will I be able to run DaVinci Resolve on a tablet-like computer? Will I be able to color correct...
Let’s Edit with Media Composer – You Ask, I Answer – Dealing with Corrupt Media
In this lesson, Kevin P McAuliffe answers a viewers question, where he’s run into trouble with a project where’s...
Media Composer Editors: Read this before updating to AE CC 2017
I’m a HUGE After Effects user. In my day job as a commercial editor, I use it just as...
ACE Tech Day with AVID
Spend a morning with Media Composer as Avid’s Solution Specialist, Michael Krulik, highlights the latest features, looks back at...
Let’s Edit with Media Composer – ADVANCED – Sapphire’s Builder Tool Part 1
In this Let’s Edit with Media Composer lesson, the first in a two part series, Kevin P McAuliffe takes...
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Production
Exploring the extremes of dynamic range
Post Production
