Get Started Fast with Media Composer for High-Res Workflows—Part 1
Many editors don’t work in larger then HD projects, but what happens when you’re ready to make the leap?...
Media Composer 101 – Lesson 17 – Bin Layouts/Displays
In this lesson, Kevin P McAuliffe wraps up his looks at Bins in Avid Media Composer by talking about...
The Great NLE Debate and DaVinci Resolve
Which NLE is the right one for you? The Nashville Film Guild took the matter to a Presidential style...
HitFilm 3 Express Special Edition – free for a limited time
Another piece of fun news this week is the latest FREE version of the effects/editor Hitfilm Pro, HitFilm 3...
Media Composer 101 – Lesson 16 – Bin Views
In this lesson, Kevin P McAuliffe talks about Bin Views inside of Avid Media Composer. Bin Views are how...
Media Composer 101 – Lesson 15 – Introduction to Bins
In this lesson, Kevin P McAuliffe talks about Bins, the best naming convention to start out with, and how...
Titler Pro 4 for AVX – In-Depth
In this in-depth look at Titler Pro 4, we go under the hood to look at some features that...
BCC 10 for AVX – Title Studio In-Depth
It’s always difficult getting yourself up to speed with a new or updated effects package, but that becomes even...
Media Composer 101 – Lesson 14 – Keyboard Settings & the Command Palette
In this lesson, Kevin P McAuliffe talks about probably the most important of your settings, and it is the...
REVIEW – BCC 10 for AVX
BCC 10 is the biggest step forward for visual effects in your Media Composer NLE in the last 10...
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