Defining and customizing your production-to-post workflow with Catalyst Prepare and Catalyst Edit
The way in which technology has and continues to change how film and TV professionals work is a topic...
REVIEW – Titler Pro 4 for AVX from NewBlueFX
If you’re a Media Composer editor, and you haven’t checked out Titler Pro 4, you’re missing out on one...
Media Composer 101 – Lesson 13 – Import Settings Part 2 – Graphic Imports
In this lesson, Kevin P McAuliffe continues his look at importing in Avid Media Composer, and gets specific about...
Media Composer 101 – Best of Free – MPEG Streamclip
In this lesson, Kevin P McAuliffe answers another question that was asked in the “Avid Editors of Facebook” group...
Media Composer 101 – Advanced – Multi-Channel Audio Exports
In this lesson, Kevin P McAuliffe talks about Multi-channel audio exports from Media Composer, and how DNxHD doesn’t always...
Media Composer 101 – Lesson 12 – Import Settings Part 1 – Supported Codecs
In this lesson, Kevin P McAuliffe talks about your Import settings, and focuses in on a very important aspect...
Media Composer 101 – Lesson 11 – Grid Settings & 4×3 Safe in 16×9 projects
In this “back to basics” lesson, Kevin P McAuliffe talks about Grid settings inside of Media Composer, and why...
Media Composer 101 – Advanced – Archiving your Project Part 3 – Automatic Duck’s Media Copy
In this lesson, Kevin P McAuliffe goes further in-depth into archiving your Media Composer projects by looking at another...
Codecs, Codecs, Codecs – The most confusing aspect of editing
As the title says, Codecs are probably the single most confusing thing in editing, especially in Media Composer. Most...
Media Composer 101 – ADVANCED – Archiving Your Projects Part 2 – Media Mover
In this lesson, Kevin P McAuliffe goes further in-depth into archiving your Media Composer projects by looking at a...
