Adjusting to Work Life at Home
We’ve seen a monumental change in the industry in the last 30 days. One that none of us ever...
Assimilate Inc. releases Scratch 9.2
This week we’re side-stepping our usual “Learn Scratch” lessons to talk about the newest release of Assimilate Scratch, and...
Learn Scratch – Part 6 – Over and Dual View Mode and Social Media Guides
Whether you’re a finishing editor, or a DIT working on location, you find yourself constantly comparing things. Whether it’s...
Let’s Edit with Media Composer – Working with 2:3 Pulldown
I can’t remember the time that I last worked in a 1080i timeline. I’m pretty much 23.98 all the...
Learn Scratch – Part 5 – The Edit Module – Edit Modes and Timeline Submenu
One question I’ve gotten a lot of, since my Scratch tutorials started coming out, is “I’m coming from XYZ...
Create movie credits like a pro using Endcrawl
Recently, I have been working on a film called The Right Girls. It is a story of several transgender...
Let’s Edit with Media Composer – Working with Boris Sapphire’s S_LensFlare
If someone asks you what your favorite effect is, what would you say? I always have the same answer. ...
Learn Scratch – Part 4 – Slots, Scene Detection and Layer Basics
One of my favorite concepts inside of Scratch is Slots. It’s something that, for new users, can seem a...
Let’s Edit with Media Composer – Exporting
I love the Avid Editors of Facebook page. It’s such a great place to get a real sense of...
Learn Scratch – Part 3 Outputting Continued and Color Managed Workflows
I always find that rendering/exporting/outputting out of any application to be very hit and miss. Obviously, the less options...
PVC Favorites
Production
Review: Mofage Talos Damping Magic Arm
Post Production
