How to pick your ideal HDMI or HD-SDI interface for WireCast (Pro)
UPDATED: This article now updated info. Many people have heard of Telestream’s renowned WireCast (Pro) software, which can convert...
OLED field monitor upgradable to become a recorder? Enter the Odyssey7 and Odyssey7Q
Long time ProVideo Coalition readers know that I have been covering external progressive 4:2:2 and 4:4:4 recorders from different...
Buying stock footage with the Pond5 plugin for Premiere Pro CS6
Back in 2012 the stock footage company Pond5 released a plugin for Adobe Premiere Pro CS6 that allowed from...
Working with Keyframes in Motion
This week on MacBreak Studio, I get back to the basics in Motion by showing Steve Martin from Ripple...
First Cut Pro is a handy, dandy online review and approval system
The review, commenting and approval process is certainly an important one when it comes to getting a client to...
Batch Renaming Clips in Final Cut Pro X
Depending on your source footage, Final Cut Pro X may assign clip names based on the metadata associated with...
After Effects Render Order Issues
Last year, we updated our After Effects Apprentice video courses. As part of adding and reorganizing material, some movies...
Come Learn Final Cut Pro X and Motion at NAB
So what's the deal with Final Cut Pro X now that it's been out for almost 2 years? Can...
Retiming a Generator in Final Cut Pro X
Generators in Final Cut Pro X are Motion projects that are stored in the Generators Browser. Many of the...
WooWave – the automated syncing software with the funny name
I’ve made no secret of my love for PluralEyes, the auto-syncing tool that came to market a few years...
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